State of Flux Workshop is a workshop, gallery and retail space dedicated to contemporary jewellery and objects. Run collaboratively by its five members and situated within the Salamanca Arts Centre precinct in nipaluna/Hobart. The space operates as a studio and retail environment creating a hub for connection, support and engagement within the community of contemporary art and jewellery.

Rather than offering classes, State of Flux Workshop focuses on exhibitions, artist talks and community engagement, presenting the work of local, interstate and international practitioners. Through these activities, the collective contributes to a vibrant network of contemporary jewellery and object-making, maintaining connections with artists, studios and galleries across Australia and beyond. Be sure to check out their upcoming exhibitions and events on your next visit to Tasmania.

While State of Flux Workshop provides a shared space for making, exhibiting and exchange, each member brings a distinct perspective to their practice. We asked Trudi Brinckman, Anna Weber, Jane Hodgetts, Gabbee Stolp and Emma Bugg two questions about their creative work, influences and the ideas that continue to shape their making.

State_of_Flux_group_portrait_by_N_Hamilton

Trudi Brinckman

@brinckmantrudi

Current favourite material or tool:
I work with a benchtop orbital grinder both at home and at State of Flux. I love its controlled motion, steady speed, and its capacity to be both aggressive and delicate. The same motion that strips material away can also gently refine, blurring the line between destruction and polish. Its controlled action produces radically different outcomes, transforms through pressure, duration, and intent. It's so cool. Oh, and my forever fav tool is my dad's hammer; its beautiful refined black handle, its nicks and scratches - I will never know the stories behind them, but when I use it, I feel a bit closer to him.

Description of your work style or philosophy:
Making has been my language of instinct and belonging since childhood, a way of shaping a sense of identity and understanding the world. Gleaning both materially and conceptually from my surroundings, my practice centres on the subtle transformation of raw matter - allowing material properties to influence both the process and the final outcome. This approach creates a balance between intention and responsiveness in my work. Distilled elements converge and elevate into forms to be worn. 

Head of a Bird and Flora (rings) 2025
brass and silver

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Emma Bugg

www.emmabugg.com
@emmabuggjeweller

Current favourite material or tool:
Concrete is a material I’ve continually returned to. I enjoy finding creative ways to test the potential of this industrial staple and exploring new ways for it to be held by the body. I’m drawn to its quiet tensions in permanence and fragility, monument and memory. 

Bridges and Bloodlines 2025
copper, iron, brass, zinc, steel, enamel, aluminium, basalt, found objects, bone, cast concrete with artist's hair. Photographer E Meure.

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Description of your work style or philosophy:
I think of my practice as a form of slow storytelling. I’m interested in how objects carry meaning beyond the moment they’re made and in how they are held, shared, and remembered over time. My work moves between contemporary jewellery and object-based practice, combining traditional metalsmithing with materials like concrete, alongside embedded technologies such as QR codes, NFC tags and, more recently, AI-driven systems. I’m particularly interested in jewellery as a subtle provocateur- a way to activate conversations around big ideas through intimate, wearable forms. Rather than offering answers, I hope the work invites dialogue, creating space for reflection, curiosity and exchange.  

A Moment to Reflect 2023
14ct gold, sterling silver, brass, glass lenses, thylacine pelt, thylacine DNA in vial, glass slide, leather. Photographer M Stanton.

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Jane Hodgetts

@janehodgetts 

Current favourite material or tool:
I am currently loving working with copper. I enjoy the malleability of the material, particularly whilst exploring the technique of fold forming. It also blackens beautifully. My all-time favourite tool is my anvil. I hammer everything I make on it and love the texture it leaves on the metal surface, a consistent quality in my work.  

Description of your work style or philosophy:
I have a hands on, intuitive approach to my work. Ultimately, I am a maker. I explore materials and experiment with surface textures and forms. I aim for my work to show traces of process, as if it has already had a life of its own and I enjoy contrasts and contradictions in my work- the elegant and refined matched with the textured and worn. Ultimately, I aim for my work to have a handmade aesthetic that comes from being true to the materials I use.  

Nightshade II (necklace) 2025
Fold formed copper, blackened with liver of sulphur

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Gabbee Stolp

www.gabbeestolp.wordpress.com
@saintgabbee  

Current favourite material or tool:
I love working with textiles in particular. I love the ideas of softness and tenderness that they imbue. My favourite and most used tools are a green sewing machine my father gifted me; I always push it way beyond its limits, and it never complains, and my sterling silver thimble; a shield for protecting my fingertips from the repetitive (sometimes for hours at a time) push-pull of sharp needles through fabric.

Soft Shelled Necklace (scallop shells) 2021 Found King scallop shells, leather, thread. Photographer N Hamilton

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Description of your work style or philosophy:
My work examines material, memory and place, evoking biological and metaphysical themes including grief, loss and human-induced extinction. I aim to create gentle tools with which to reflect on time and change and the way our human lives are invariably connected to the deep history and ecology of the places we live. I construct pieces predominately through the act of sewing, a gesture I consider to be both nurturing and restorative. With this gesture, I hope to highlight the strength and value of human tenderness and the depth and vulnerability of our more-than-human world.  

Soft Shelled Collar - Golden Oyster 2023
Pacific oyster shells, leather, velvet, vintage cotton thread.
Photographer N Hamilton

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Anna Weber

www.annaweberjewellery.bigcartel.com
@annaweberpics  

Current favourite material or tool:
My current favourite tool is the hammer setting handpiece on my Dremel. I file and polish different tip shapes to impart texture and character into my pieces. I’m guessing my bench mates at State of Flux are less enthused by this though…it does get a bit noisy! 

Description of your work style or philosophy:
I love working with clients to create special pieces that signify something for them. The small moments and big life events that are often celebrated with jewellery are beautiful stories to witness and it is an incredible honour and something I love being a very small part of when making something special for someone. I particularly love making rings and quite often just start with an inkling of an idea which then evolves within my hands and the making process. I’m more of a 3D designer rather than a sketcher and will change and adapt the design as I make. 

tasmanian spinel and yellow sapphire ring 2025
Tasmanian spinel, sapphire, sterling silver

dark night ring 2025
Natural black sapphires, sterling silver

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